Below I’ve included some snippets from my lecture on American Progress from my course COMP 3309 - Computers and Society.
As mentioned in a previous class, one of the ways that I am organizing the section on “Thinking About Technology” is by categorizing it into four subsections that describe four common narratives on technology. They are: progress, convenience, determinism, and control.
Today, I want to talk about progress. In western culture (and especially in the United States), technology = progress, and vice versa in that someone who opposes a technology is often characterized as being opposed to progress in general.
But what is progress? At its simplest it refers to moving forward. More specifically for us, it is a belief that something improves over time.
However, this is by no means the only way to think about time. Some (older) cultures see time cyclically or if they do envisage time linearly, they might see time as a descent.
Prior to the Enlightenment (17th and 18th centuries), it was much more common to think of time as a descent in quality from the ancient world. Alternately, it was/is also common to think of time as a series of rise and falls. This latter belief is wonderfully encapsulated by Thomas Cole’s Course of Empire series of paintings, which show the rise and fall of a civilization.
But throughout the Enlightenment (which refers to a phase in western philosophy and culture life in which reason and science became progressively prioritized over tradition and religion as arbitrar of truth or knowledge), progress in science and knowledge was gradually believed to be main means to achieving social progress. This belief is wonderfully captured in Joseph Wright’s painting Philosopher Giving a Lecture on the Orrery, in which the light of science actually illuminates/enlightens the children (the future), the bourgeoisie, and the working class/servants.

Joseph Wright , Philosopher Giving a Lecture on the Orrery
By the 19th century, the idea that history was a progression to a higher state had become one of the key ideas of western culture. Comte, Hegel, Marx, Darwin, and Spencer were some of the key intellectual figures in this movement.
This belief in progress was an absolutely vital aspect of American culture from the 1850s to 1950s. In particular, the type of progress that was valorized during this time period in America was technological progress. This can be seen quite clearly in the popular art of this time, such as Currier and Ives lithograph Across the Continent or John Gast’s American Progress painting. In these works, technological progress (the train, the telegraph) are moving westward, bringing civilized settlements and education, as well as banishing unruly nature and natives to a past of the setting sun.
The newly emergent capitalist class were especially drawn to the belief that progress is equal to social progress. Why?
Recall that from the 1780s-1890s, the USA and Western Europe experienced dramatic growth in economic individualism and an expansion of an urban-based workforce. The new 19th Century middle and upper class were not rich from owning land but from their control over new technologies. These technologies made available new material goods; their message to the public at this time was that these new goods were in fact the definition of progress.
By the turn of the 20th Century, technological progress had become an end in itself.

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